Fuaim

the place of sound & noise

Blogpost5 – end March ’19

HOLIDAYS !! Soon!!

DAWs

  • Ongoing work on creating Sound Design for “Connected”

WICI

  • Public Liability Insurance
  • Noise Levels – Control of Noise At Work Regulations 2005
  • Employee Safety
    • Slips, trips and falls
    • Electrical safety

MULTITRACK MIXING

  • Critical Listening – Newton Faulkner – Teardrop
  • Ongoing mixing practice

ACOUSTICS AND LIVE SOUND

  • Standing Waves and Room Modes
  • Flutter echoes
  • Rooms and targets
  • Flanking

Blogpost4 – March ‘19

DAWs

  • Ongoing work on creating Sound Design for “Connected”

WICI

  • Copyright and Contract
    • PRS – royalties to performers
    • PPL – royalties to writers
  • The Bob Rock and INXS story
  • Copyright exists until 70 years after the death of the author or when it was created. Music recorded in the 1950’s is coming out of copyright.
  • Copyright Designs & Patents Act 1988

MULTITRACK MIXING

  • Ongoing multitrack mixing
    • Heartbreaker by Led Zeppelin

ACOUSTICS AND LIVE SOUND

  • Standing Waves and Room Modes
  • Flutter echoes
  • Rooms and targets
  • Flanking

Blogpost3 – early March ‘19

DAWs

  • Working on creating Foley sounds for “Connected”

WICI

  • Gibbs Reflective Cycle
  • Networking – pros and cons

MULTITRACK MIXING

  • Practicing multitrack mixing
    • Ain’t No Mountain High Enough.
    • Heartbreaker
  • Developing a process for doing this.
    • Listen to all tracks, audition them
    • Make track list
    • Top’n’tail recordings
    • Begin initial mix
    • Save to listen to in other environments

ACOUSTICS AND LIVE SOUND

  • Absorption Indices
  • Sabines


 

Blogpost2 – mid Feb’19

DAWs

  • Moreon Foley and how to use ProTools to build effects
  • Draft of the plan – “a plan for a plan”
  • Watch chosen movie and start sketching sound design requirements

WICI

  • More on SWOT
  • Company structures
  • Guidance on GU requirements

MULTITRACK MIXING

  • Reverb
    • Lexicon – top make.
    • Plate Reverb for vocals
    • Put an EQ in front of reverb to improve the effect, particularly with sibilance
    • Put reverb on an aux bus to mix with dry signal
  • Alan Parson’s DVD

ACOUSTICS AND LIVE SOUND

  • LO3 Reboot
  • All about Reverb
    • RT60 is time for reverb to fall by 60dB

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